Please use this identifier to cite or link to this item: http://hdl.handle.net/2381/10322
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dc.contributor.authorTallack, Douglas-
dc.date.accessioned2012-04-02T13:26:14Z-
dc.date.issued2010-
dc.identifier.citationGazette of the Grolier Club, 2010, 61, pp. 5-40 (35)en
dc.identifier.issn0533-2990-
dc.identifier.urihttp://www.grolierclub.org/Default.aspx?p=DynamicModule&pageid=268770&ssid=136859&vnf=1en
dc.identifier.urihttp://hdl.handle.net/2381/10322-
dc.descriptionEmbargo length currently unknown. Permission to make the text available has been requested from the publisher and the full text may be made available once this has been received.-
dc.language.isoenen
dc.publisherThe Grolier Cluben
dc.relation.urihttp://www2.le.ac.uk/colleges/artshumlaw/people/tallack-
dc.rightsCopyright © 2011 The Grolier Club.en
dc.subjectNew York Cityen
dc.subjectVisual Cultureen
dc.subjectPrintsen
dc.titleThe Line of Beauty: The Society of the Iconophiles and New York City, 1894-1939en
dc.typeJournal Articleen
dc.description.statusPeer-revieweden
dc.description.versionPublisher Versionen
dc.type.subtypeArticle-
pubs.organisational-group/Organisationen
pubs.organisational-group/Organisation/COLLEGE OF ARTS, HUMANITIES AND LAWen
pubs.organisational-group/Organisation/COLLEGE OF ARTS, HUMANITIES AND LAW/Department of History of Art and Filmen
dc.rights.embargodate10000-01-01en_GB
Appears in Collections:Published Articles, Centre for American Studies

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