Please use this identifier to cite or link to this item: http://hdl.handle.net/2381/29224
Title: Memorias en transición. Producciones videográficas argentinas contemporáneas entre el video de creación y el corto documental
Other Titles: Memories in Transition. Contemporary Argentine Videographic Productions, Between Video Art and Short Documentary Film
Authors: Garavelli, Clara
First Published: 6-Jan-2014
Publisher: Revista Cine Documental
Citation: Revista Cine Documental, 2014, 9, pp. 24-45
Abstract: In the past thirty years, the reinstatement of democracy in Argentina has been accompanied by an upsurge of audio-visual productions that deal with the impact of the last dictatorship. Whereas most of these works have been widely studied within traditional disciplines, there are certain hybrid productions located at the interstices of art and cinema, which still need to be properly analyzed. Accordingly, the aim of this article is to explore an array of short experimental videos that employ ‘a creative treatment of actuality’ (Grierson dixit) but which have not been the focus of academic attention within documentary theorists. Their ways of dealing with memory and its modes of representation reconfigure the traumatic past in the present whilst challenging the traditional documentary genre.
ISSN: 1852-4699
Links: http://revista.cinedocumental.com.ar/numeros/index.php/component/content/article/12-numero-9/54-memorias-en-transicion-producciones-videograficas-argentinas-contemporaneas-entre-el-video-de-creacion-y-el-corto-documental
http://hdl.handle.net/2381/29224
Embargo on file until: 1-Jan-10000
Version: Publisher Version
Status: Peer-reviewed
Type: Journal Article
Rights: Copyright © 2014, Revista Cine Documental.
Description: The file associated with this record is embargoed while permission to archive is sought from the publisher. The final published version may be available through the links above.
Appears in Collections:Published Articles, School of Modern Languages

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