Please use this identifier to cite or link to this item: http://hdl.handle.net/2381/32293
Title: Appearing Before the Public : Charlotte Brontë and the Author Portrait in the 1830s.
Authors: North, Julian R.
First Published: 12-Jan-2016
Publisher: Maney Publishing for Brontë Society
Citation: Brontë Studies, 2016, 41(1), 60-74
Abstract: This essay reassesses Charlotte Brontë’s attitude to the public visibility of the author by looking at her early art work and writings. The focus is on two pencil drawings she made of characters from the juvenilia: Alexander Soult, a poet, and one of Branwell’s pseudonyms, and Zenobia Marchioness Ellrington, known as ‘the Madame De Staël of Verdopolis’. The essay situates Charlotte’s visual and verbal portraits of Soult and Zenobia within a broader culture of the author portrait in the literary albums and magazines of the 1830s. It identifies, for the first time, her sources for the image of Zenobia, and links her fantasy author portraits to Branwell’s ‘Pillar’ portrait.
DOI Link: 10.1080/14748932.2015.1123912
ISSN: 1474-8932
eISSN: 1745-8226
Links: http://www.tandfonline.com/doi/abs/10.1080/14748932.2015.1123912
http://hdl.handle.net/2381/32293
Embargo on file until: 12-Jan-2018
Version: Post-print
Status: Peer-reviewed
Type: Journal Article
Rights: Copyright © 2015, Maney Publishing for Brontë Society. Deposited with reference to the publisher’s archiving policy available on the SHERPA/RoMEO website.
Description: Final images for illustrations (with permission) to be emailed to LRA before publication.
The file associated with this record is under embargo until 24 months after publication, in accordance with the publisher's self-archiving policy. The full text may be available through the publisher links provided above.
Appears in Collections:Published Articles, Dept. of English

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