Please use this identifier to cite or link to this item:
|Title:||Appearing Before the Public : Charlotte Brontë and the Author Portrait in the 1830s.|
|Authors:||North, Julian R.|
|Publisher:||Maney Publishing for Brontë Society|
|Citation:||Brontë Studies, 2016, 41(1), 60-74|
|Abstract:||This essay reassesses Charlotte Brontë’s attitude to the public visibility of the author by looking at her early art work and writings. The focus is on two pencil drawings she made of characters from the juvenilia: Alexander Soult, a poet, and one of Branwell’s pseudonyms, and Zenobia Marchioness Ellrington, known as ‘the Madame De Staël of Verdopolis’. The essay situates Charlotte’s visual and verbal portraits of Soult and Zenobia within a broader culture of the author portrait in the literary albums and magazines of the 1830s. It identifies, for the first time, her sources for the image of Zenobia, and links her fantasy author portraits to Branwell’s ‘Pillar’ portrait.|
|Embargo on file until:||12-Jan-2018|
|Rights:||Copyright © 2015, Maney Publishing for Brontë Society. Deposited with reference to the publisher’s archiving policy available on the SHERPA/RoMEO website.|
|Description:||Final images for illustrations (with permission) to be emailed to LRA before publication.|
The file associated with this record is under embargo until 24 months after publication, in accordance with the publisher's self-archiving policy. The full text may be available through the publisher links provided above.
|Appears in Collections:||Published Articles, Dept. of English|
Files in This Item:
|BRONTE STUDIES ARTICLE REVISED.pdf||Post-review (final submitted)||1.71 MB||Adobe PDF||View/Open|
Items in LRA are protected by copyright, with all rights reserved, unless otherwise indicated.