Please use this identifier to cite or link to this item: http://hdl.handle.net/2381/33176
Title: Dickens, Dinosaurs, and Design
Authors: Dawson, Gowan R.
First Published: 4-Nov-2016
Publisher: Cambridge University Press (CUP): HSS Journals
Citation: Victorian Literature and Culture, 2016, 44(4), pp. 761-778
Abstract: Charles Dickens's novels only occasionally feature images of prehistoric creatures. There is, of course, the famous “elephantine lizard. . .waddling. . .up Holborn Hill” in the opening scenes of Bleak House (1852–53), which, as is brilliantly captured in Tom Gauld's recent cartoon “Fragments of Dickens's Lost Novel ‘A Megalosaur's Progress’” (2011), has become a kind of icon of Dickens's entire fictional oeuvre (Figure 1). But beyond Bleak House’s iconic megalosaurus “forty feet long or so,” Dickens's panoramic representations of urban landscapes, which Adelene Buckland has shown to abound with quasi-geological ruins, are usually populated only by their more diminutive modern inhabitants (1; ch. 1). Even when the changing cityscape of “carcases. . .and fragments” of “giant forms” seems, as in Dombey and Son (1847–48), to suggest the presence of colossal fossilized skeletons thrown up by a “great earthquake,” they remain lifeless and merely augment the pervading atmosphere of urban upheaval (46; ch. 6). Animate extinct animals instead appear more commonly in novels by contemporaries such as William Makepeace Thackeray or, later in the century, Henry James. In their fiction, creatures such as the megatherium, a large edentate from the Pliocene epoch, not only afford apposite metaphors for gargantuan manifestations of industrial modernity, as in the former's Mrs. Perkins's Ball (1846) and the latter's The Bostonians (1885–86). More significantly, they also provide a model for the complex structures of serialized novels, whether commendatory, as in Thackeray's The Newcomes (1853–55), or otherwise, as in the famous epithet “large loose baggy monsters” that James coined in the preface to the New York edition of The Tragic Muse (1908) (1:x).
DOI Link: 10.1017/S1060150316000358
ISSN: 1060-1503
eISSN: 1470-1553
Links: https://www.cambridge.org/core/journals/victorian-literature-and-culture/article/dickens-dinosaurs-and-design/16A1E204619F0E339E2A3200A5F4B5B2
http://hdl.handle.net/2381/33176
Version: Post-print
Status: Peer-reviewed
Type: Journal Article
Rights: Copyright © Cambridge University Press. Deposited on acceptance for publication with reference to the publisher’s archiving policy available on http://journals.cambridge.org/action/displaySpecialPage?pageId=4608. This version may have been revised following peer review but may be subject to further editorial input by Cambridge University Press.
Appears in Collections:Published Articles, Dept. of English

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