Please use this identifier to cite or link to this item: http://hdl.handle.net/2381/41685
Title: Book review: Javier Ordiz (ed.), Estrategías y figuraciones de lo insólito en la narrative Mexicana (siglos XIX-XXI)
Authors: Penn, Sheldon
First Published: 14-Sep-2017
Publisher: Taylor & Francis (Routledge)
Citation: Bulletin of Spanish Studies, 2017, 94 (5), pp. 912-913 (1)
Abstract: [First paragraph] Resulting from a MINECO supported project led by the editor alongside a group of researchers at the University of León, this volume comprises essays from eight scholars from Spanish Universities as well as a contribution from the Mexican novelist Daniela Tarazona. The thematic focus of ‘lo insólito’ is broad, and contributors cover a range of genres from terror and Magic Realism to the postmodern Gothic and science fiction. Whilst some authors theorise the parameters of their own literary examples of ‘lo insólito’ more than others, the reader is assisted by David Roas’s chapter, in which he provides a comparative definition of categories in the field. Concise and forthright, Roas draws sharp category boundaries that some may consider a little rigid (taxonomy in this field is notoriously contentious) but his contribution precisely enables that process of reflection through the course of the collection.
DOI Link: 10.1080/14753820.2017.1358938
ISSN: 1475-3820
eISSN: 1478-3428
Links: https://www.tandfonline.com/doi/full/10.1080/14753820.2017.1358938
http://hdl.handle.net/2381/41685
Embargo on file until: 14-Mar-2019
Version: Post-print
Status: Peer-reviewed
Type: Journal Article
Rights: Copyright © 2017, Taylor & Francis (Routledge). Deposited with reference to the publisher’s open access archiving policy. (http://www.rioxx.net/licenses/all-rights-reserved)
Description: The file associated with this record is under embargo until 18 months after publication, in accordance with the publisher's self-archiving policy. The full text may be available through the publisher links provided above.
Appears in Collections:Published Articles, College of Arts, Humanities & Law

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