Please use this identifier to cite or link to this item: http://hdl.handle.net/2381/43754
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dc.contributor.authorEvans, L-
dc.contributor.authorJaffe, R-
dc.date.accessioned2019-04-12T09:51:31Z-
dc.date.issued2019-
dc.identifier.citationInterventions: International Journal of Postcolonial Studies, 2019, in pressen
dc.identifier.uriTBAen
dc.identifier.urihttp://hdl.handle.net/2381/43754-
dc.descriptionThe file associated with this record is under embargo until publication, in accordance with the publisher's self-archiving policy. The full text may be available through the publisher links provided above.en
dc.description.abstractThe transformation of politically affiliated Jamaican gangs into transnational criminal organisations in the 1980s generated media reports that criminalised black masculinity and associated Jamaica and the Jamaican diaspora in Europe and North America with a ‘culture of violence’ (Scott 1997; Thomas 2011). This has continued into the twenty-first century with, for example, the media coverage of the Tivoli Gardens don and Shower Posse leader Christopher ‘Dudus’ Coke’s arrest and extradition in 2010. Representations of ‘yardies’ in film, popular music, fiction and investigative nonfiction have similarly often reinforced cultural, racial and sexual stereotypes (Murji 2009). These kinds of popular and media narratives of crime and violence in Jamaica and the Jamaican diaspora have perpetuated what Gilroy calls the myth of black criminality (Gilroy 1987, 118) and reinforced ‘imaginative geographies’, rooted in colonial perspectives, that ‘depict Jamaica as a lawless, criminogenic space’ (Jaffe 2014, 159). In this special issue we consider how representations of various kinds may reconfigure widespread associations of Jamaica with crime and violence. While these representations can contribute to the reproduction of stereotypical associations, they can also challenge dominant understandings by questioning and complicating assumptions around national and cultural identity, race, class, gender and sexuality, and by reframing the contexts and causes of crime in Jamaica and in the Jamaican diaspora. The articles collected here cover a wide range of representational forms and modes, including fiction, biography, film, photography, oral history, popular music, painting and street art.en
dc.language.isoenen
dc.publisherTaylor & Francis (Routledge)en
dc.titleIntroduction: Representing Crime, Violence and Jamaicaen
dc.typeJournal Articleen
dc.identifier.doiTBA-
dc.identifier.eissn1469-929X-
dc.description.statusPeer-revieweden
dc.description.versionPost-printen
dc.type.subtypeEditorial Comment-
pubs.organisational-group/Organisationen
pubs.organisational-group/Organisation/COLLEGE OF SOCIAL SCIENCES, ARTS AND HUMANITIESen
pubs.organisational-group/Organisation/COLLEGE OF SOCIAL SCIENCES, ARTS AND HUMANITIES/School of Artsen
dc.rights.embargodate10000-01-01-
dc.dateaccepted2018-12-24-
Appears in Collections:Published Articles, College of Arts, Humanities & Law

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