Please use this identifier to cite or link to this item: http://hdl.handle.net/2381/43882
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dc.contributor.authorHealy, D-
dc.contributor.authorFitzgibbon, DW-
dc.date.accessioned2019-04-25T14:21:16Z-
dc.date.issued2019-
dc.identifier.citationQualitative Social Work, 2019, In Pressen
dc.identifier.issn1741-3117-
dc.identifier.uriTBAen
dc.identifier.urihttp://hdl.handle.net/2381/43882-
dc.descriptionThe file associated with this record is under embargo until publication, in accordance with the publisher's self-archiving policy. The full text may be available through the publisher links provided above.en
dc.description.abstractParticipatory visual research methods like Photovoice have become increasingly popular in social science research over the past two decades. While the benefits for co-researchers are well-established, audience studies remain relatively scarce. This represents an important gap in knowledge, especially since advocacy for social change is regarded as a core goal of Photovoice research. The authors aim to contribute to the nascent audiencing literature by exploring the responses from an audience of criminal justice stakeholders to an exhibition of photographs produced by people under probation supervision in Dublin, Ireland. The discussion begins with a critical reflection on the researchers’ experience of curating a Photovoice exhibition. Next, audience responses to the images are explored, including the extent to which intended messages reached the target audience and encouraged them to reflect more deeply on the meaning of supervision. Finally, the implications for audiencing studies are considered, particularly the challenge of managing inter-subjectivities in the data analysis process.en
dc.language.isoenen
dc.publisherSAGE Publications (UK and US)en
dc.rightsCopyright © 2019, SAGE Publications (UK and US). Deposited with reference to the publisher’s open access archiving policy. (http://www.rioxx.net/licenses/all-rights-reserved)en
dc.subjectPhotovoiceen
dc.subjectprobation supervisionen
dc.subjectaudience studiesen
dc.subjectIrelanden
dc.titleDifferent Ways of Seeing: Exploring audience reactions to images of probation supervisionen
dc.typeJournal Articleen
dc.identifier.doiTBA-
dc.description.statusPeer-revieweden
dc.description.versionPost-printen
dc.type.subtypeArticle-
pubs.organisational-group/Organisationen
pubs.organisational-group/Organisation/COLLEGE OF SOCIAL SCIENCES, ARTS AND HUMANITIESen
pubs.organisational-group/Organisation/COLLEGE OF SOCIAL SCIENCES, ARTS AND HUMANITIES/Department of Criminologyen
dc.rights.embargodate10000-01-01-
dc.dateaccepted2019-03-25-
Appears in Collections:Published Articles, Dept. of Criminology

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